Albright, Thomas. Art in the San Francisco
Bay Area, 1945–1980. Berkeley and Los Angeles: University
of California Press, 1985. P. 266. ISBN 0-520-05193-9. -- ISBN 0-520-05518-7
(pbk.)
Bullis, Douglas. 100 Artists of the West Coast.
Atglen, Pennsylvania: Schiffer Publishing Ltd, 2003. Pp. 76-77. ISBN 0-7643-1931-0.
Byrne, Chris. The Original Print. Madison,
Wisconsin: Guild Publishing, 2002. P. 6. ISBN 1-893164-14-4.
Carnwath, Squeak. Squeak Carnwath: Lists, Observations
& Counting. San Francisco: Chronicle Books, 1996, ISBN 0-8118-1220-0.
-- ISBN 0-8118-1171-9 (pbk.)
di Rosa, Rene. Local Color: The di Rosa Collection
of Contemporary Art. San Francisco: Chronicle Books, 1999. Pp.
68-69, ISBN 08118-2376-8. -- ISBN 08118-2377-10 (pbk.)
Dustin Wall Moure, Nancy. California Art: 450
Years Of Painting & Other Media. Los Angeles: Dustin Publications,
1998. P. 517. ISBN 0-9614622-4-8. -- ISBN 0-9614622-5-6 (pbk.)
Gamblin, Noriko. "Squeak Carnwath", in Noriko Gamblin and Karen
Jacobson, ed., Flintridge Foundation Awards
for Visual Artists. Pasadena, California: Flintridge Foundation,
2002. Pp. 12-15. ISBN 0-9664721-2-8.
Held Audette, Anna. "24-Hour Drawing," in Anna Held Audette
, ed., 100 Creative Drawing Ideas. Boston
& London: Shambhala, 2004. Pp. 102-103. ISBN 1-59030-105-6.
Johnstone, Mark and Leslie Aboud Holzman. Epicenter
San Francisco Bay Area Art Now. San Francisco: Chronicle Books,
2002. Pp. 34-39. ISBN 0-8118-3541-3.
Landauer, Susan. Selections, The San Jose Museum of Art Permanent Collection. San Jose, California: The San Jose Museum of Art, 2004. Pp. 50-51. ISBN 0-938175-33-5.
Nugent, Bob. Foreword by Donald Kuspit. Imagery Art for Wine. San Francisco: The Wine Appreciation Guild, 2006. Pp. 36-37. ISBN 1-891267-92-2.
Rosenberg, Randy Jayne, et al. The Missing Peace Artists & the Dalai Lama. San Rafael, California: Earth Aware, 2006. Pp. 144-145, 164. ISBN 1-932771-92-1. (Tokyo 2008 edition in Japanese.)
Tsujimoto, Karen. "Artistic Harvest," in Abby Wasserman, ed., The Spirit of Oakland. Carlsbad, CA:
Heritage Media Corp., 2000. P. 55. ISBN 1-886-483-36-1.
Tsujimoto, Karen and John Yau. Squeak Carnwath: Painting is No Ordinary Object. Petaluma, CA: Pomegranate and Oakland, CA: Oakland Museum of California, 2009. ISBN 978-0-7649-4888-6. -- ISBN 978-0-7649-4917-3 (pbk.)
Walrod, Anne. "Squeak Carnwath," in Moira Roth, ed.,
Connecting Conversations, Interviews with 28 Bay Area Women Artists. Eucalyptus Press, Mills College, 1988. Pp. 22 – 28
Whittaker, Richard. "Squeak Carnwath," in The Conversations Interviews with Sixteen Contemporary Artists. Whale and Star, 2007. Pp. 36-47. ISBN 978-0-9673608-8-1.
Allene Lapides Gallery. Squeak Carnwath: Selections
From The Studio. Essay by Douglas Maxwell. Santa Fe: Allene Lapides
Gallery, 2002. 9 color plates.
Anderson Gallery of Graphic Art. Celebrating a Centennial: Contemporary Printmakers at CCA. Fine Arts Museums of San Francisco, de Young, 2007. 1 color plate, p. 3.
Anderson Ranch Arts Center. ARAC @ AAM: Anderson Ranch Arts Center At The Aspen Art Museum. Introduction by Hunter O'Hanian. Aspen, CO, 2008. 1 color plate, p. 7.
Art In Embassies Program. The Art In Embassies
Exhibition For The Residence Of The United States Ambassador To Luxembourg.
Introduction by James C. Hormel, United States Ambassador to Luxembourg.
N.D. (circa 2000). 1 color plate, p. 3.
Bank of America. Equations: The Paintings of
Squeak Carnwath. Essay by Leah Levy.
San Francisco, CA: Plaza Gallery, 1995. 2 color plates.
Bank of America. Women in Print: Recent Prints
by Women Artists. Essay by Bonnie Earls-Solari. San Francisco,
CA, 1998. 1 color plate, p. 3.
Bedford Gallery at the Lesher Center for the Arts. Story Painters. Statement by Curator Carrie Lederer. Walnut Creek, CA, 2010. 5 color plates, pp. 4-8.
California College of the Arts. Artists of Invention A Century of CCA. San Francisco, CA, 2007. 1 color plate, p. 64. ISBN 978-0-97535-7.
California Museum of Art. Squeak Carnwath:
Seeing in the Dark. Essay by Gay Shelton. Santa Rosa, CA: Luther
Burbank Center for the Arts, 1998. 6 black & white plates.
Carrie Secrist Gallery. Bluer. Chicago:
Carrie Secrist Gallery, 2000. 1 color plate, p. 52.
David Beitzel Gallery. Squeak Carnwath.
Essay by Maria Porges. New York: David Beitzel Gallery, 1998. 8 color
plates.
di Rosa Preserve: Art & Nature. The True Artist is an Amazing Luminous Fountain, Selected Works from the di Rosa Preserve: Art & Nature. Essay by Jack Rasmussen. Napa, CA: di Rosa Preserve: Art & Nature, 2004. 1 color plate, p. 36.
Dorothy Goldeen Gallery. Squeak Carnwath. Essay by Mark Levy. Santa Monica: Dorothy Goldeen Gallery, 1991. 8 color
plates and 3 black & white plates.
Dorothy Goldeen Gallery. Squeak Carnwath: Inside
Thought. Essay by Leah Levy. Santa Monica: Dorothy Goldeen Gallery,
1995. 4 color plates and 3 black & white plates.
Ewing Gallery of Art and Architecture at University of Tennessee. Multiple X Multiple: A Survey of Contemporary Print Media. Essays by University of Tennessee, Knoxville graduate students, 2009. 1 color plate, p. 5.
Fine Arts Museums of San Francisco. Bay Area
Art: From the Morgan Flagg Collection. Essay by Timothy Anglin
Burgard. San Francisco: Fine Arts Museums of San Francisco, 1997. 1 color
plate, p.20.
Hallie Ford Museum of Art at Willamette University. Women's Work Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his family foundations. Essay by Robin Reisenfeld, 2007. 1 color plate p. 4.
Hearts in San Francisco. Hearts in San Francisco. Essay by Alyson Kuhn. San Francisco: Hearts of San Francisco, 2004. 1 color plate p. 51. ISBN: 0-9763989-0-7.
Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New
Jersey. Evolving Forms/Emerging Faces, 1997. 1 black & white plate, p. 26.
John Berggruen Gallery. Squeak Carnwath: Recent
Paintings. San Francisco: John Berggruen Gallery, 1991. 8 color
plates.
John Berggruen Gallery. Squeak Carnwath. San
Francisco: John Berggruen Gallery, 1994. 12 color plates.
John Berggruen Gallery. Squeak Carnwath: Relative.
Essay by Jamie Brunson, San Francisco: John Berggruen Gallery,
1997. 16 color plates.
John Berggruen Gallery. Squeak Carnwath: Undraped
Human Being. Essay by Pauline Shaver, San Francisco: John Berggruen
Gallery, 1998. 12 color plates.
John Berggruen Gallery. Squeak Carnwath: Life
Line. Squeak Carnwath in Conversation with Richard Whittaker, San
Francisco: John Berggruen Gallery, 2001. 11 color plates.
John Berggruen Gallery. Squeak Carnwath: Paper
Trail. San Francisco: John Berggruen Gallery, 2003. 5 color plates.
Kenyon College Olin Art Gallery. Squeak Carnwath Being Human: Paintings & Prints, 1998 – 2004. Essay by Dan Younger,Gambier, OH, 2004. 4 color plates.
National Academy Museum & School of Fine Arts. The 183rd Annual: An Invitational Exhibition of Contemporary American Art. New York, NY, 2008. 1 color plate, p. 29.
Nevada Art Museum. The Art of Collaborative
Printmaking: Smith Andersen Editions. Essays by Diane Deming, Hilarie
Faberman, Steven High, Paula Z. Kirkeby, Reno: Nevada Art Museum, 1998.
1 color plate p. 8.
Palm Beach Institute of Contemporary Art. Squeak
Carnwath: The Am-ness of Things. Essay by Juan Rodriguez, Lake
Worth: Palm Beach Institute of Contemporary Art, 1999. 8 color plates.
Palo Alto Art Center. By Design: Art &
Wine, The Benziger Imagery Series. Essay by Signe Mayfield, Palo
Alto, 1999.
Richmond Art Center. Bay Area Drawing: B.A.D.
at R.A.C. Essay by Robert Tomlinson, Richmond: Richmond Art Center,
1987. 1 black & white plate, p.9.
Richmond Memorial Civic Center. Revitalization Project Public Art Program: Interior Fine Art Collection. 2009. 1 color plate, p. 70.
Robert Mondavi Winery. UC Davis Artists from the Collections of Jordan D. Schnitzer and his family foundation. Essay by Renny Pritikin, Napa, CA, 2008. 1 color plate, p. 2.
San Francisco Art Institute in association with A. T. Kearney’s Vision
Program. Material Transformation. Spring
2000. Pp. 22 - 23; 1 color plate, p.22.
San Francisco Museum of Modern Art. SECA Art
Award 1980. Sponsored by Society for the Encouragement of Contemporary
Art (SECA) of the San Francisco Museum of Modern Art, 1980. Pp. 4 - 7.
San Jose Museum of Art. Into The 21st Century.
Essays by Cathy Kimball, Patricia Hicks, and Karen Kienzle, San Jose Museum
of Art, San Jose, CA, 1999. 1 color plate, p.21.
San Jose Museum of Art. First Impressions:
The Paulson Press. Essay by Susan Landauer, Chief Curator, San
Jose Museum of Art, San Jose, CA, 2001. 1 color plate, cover.
Scripps College. Reading Meaning: Word and Symbol in the Art of Squeak Carnwath, Lesley Dill, Leslie Enders Lee, and Anne Siems. Essay by Margaret Mathews-Berenson, Guest Curator, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA, 2004. 4 color plates, pp. 36-40.
Sheppard Pratt. Art from The Collection of Sheppard Pratt. Introduction by Diana L. Ramsay, Executive Vice President and Chief Operating Officer, Sheppard Pratt Health System, Towson, MD, 2005. 1 color plate, p.21.
Stanford University Museum of Art. Hine Editions / Limestone Press The Archive at the Stanford University Museum of Art. Essay by Hilarie Faberman, Robert M. and Ruth L. Halperin Curator of Contemporary Art, Stanford University Museum of Art, Stanford, CA, 1994, pp. 27-29. ISBN: 0-937931-03-8.
Sweeney Art Gallery. Squeak Carnwath: Selected
Works. Essay by Karen Rapp, Assistant Director, Sweeney Art Gallery,
University of California, Riverside, 2000. 5 color plates.
The Chrysler Museum. Squeak Carnwath.
Essay by Trinkett Clark, The Chrysler Museum, Norfolk, VA, 1994. 5 color
plates.
The Oakland Museum. Here and Now: Bay Area Masterworks From The di Rosa Collections. Essay by Philip Linhares, Chief Curator of Art, The Oakland Museum, Oakland, CA, 1994. 1 color plate, pp. 16-17.
University Art Gallery. Squeak Carnwath: Eden
In The Studio. Essay by Nina Zagaris, University Art Gallery, California
State University, Stanislaus, Turlock, CA, 1995. 4 color plates.
Vermont Studio Center Press. A Catalog Of Prints
Created By Distinguished Artists at Vermont Studio Center. Johnson,
VT, 2000. 1 color plate, p. 7.
UVA/Fayerweather Gallery. Squeak Carnwath/selected
paintings. Essay by R. Young, McIntire Department of Art, University
of Virginia, Charlottesville, VA, 2001. 3 color plates.
Ahlander, Leslie Judd. "Abstract Ideas and Landscapes Populate the
Galleries." The Miami News, December
18, 1987.
Albers, Patricia. "Deeper by the Dozen." San
Jose Metro, October 6–12, 1988.
Albright, Thomas. "Arts Festival Pizza and Quiche." San
Francisco Chronicle, June 25, 1983, p. 35.
______. "Emerging, Diverging and Submerging at Oakland Museum."
San Francisco Chronicle, October 26,
1982, p. 40.
______. "Imagism and a New Look." San
Francisco Chronicle, March 8, 1982, p. 40.
______. "Landscapes & Figures: Distant from Reality." San
Francisco Chronicle, July 17, 1984, pp. 12–13.
______. "Modest Magic, Conventionalized Personalism." San
Francisco Chronicle, September 1, 1980, p. 41.
Allman, Paul. "Art Who?" New Vistas,
February 15, 1975.
Amirrezvani, Anita. "Feat On The Ground: Giant artworks are helping
create welcoming identity at San Francisco Airport." San
Jose Mercury News, July 31, 2000, p. E-1.
Anderson, Roger. "Oaklandish Art." East
Bay Express, June 22, 1990.
Annas, Teresa. "Art." The Virginia-Pilot
and The Ledger-Star, January 16, 1994, p. G12.
Armitage, Diane. " Critical Reflections, 'Squeak Carnwath: Selections
From The Studio'." The Santa Fe's Monthly
Magazine of the Arts, November 2002, vol. X, no. IV, p. 38.
______. "Y Draw". The Santa Fe's Monthly Magazine of the Arts, May 2005, p. 37.
"Art at UCD." UC Davis Magazine,
Summer 1988.
"Art Throb." Urbanview, May
22, 2002, pp. 14-15.
"Artists Paint Own Views of California." The
Anchorage Times, September 22, 1985.
Artner, Alan G. "Carnwath's Canvases Reflect Classic Looks at Domestic
Life." Chicago Tribune, Friday,
March 8, 1985, p. 38.
"Awards, 'Flintridge Foundation Awards for Visual Artists'."
Art in America, March 2002.
Baker, Kenneth. "Carnwath’s Memories Release Rich Abstraction."
San Francisco Chronicle, November 7,
1998, p. E1.
______. "Celebrating Art’s Generations." San
Francisco Chronicle, Sept. 25, 1996, pp. E1 & E5.
______."Childhood Whimsy in 'Mouse' Art." San
Francisco Chronicle, September 17, 1988.
______."Flintridge Awards". San Francisco
Chronicle, December 11, 2001.
______."Looking Ahead 2009 Squeak Carnwath: Painting is No Ordinary Object". San Francisco
Chronicle, January 4, 2009, Datebook, p. 18.
______. "Squeak Carnwath's Interplay of Words and Images." San
Francisco Chronicle, September 11, 1991, p. E2.
______. "Squeak Carnwath Roars at Berggruen." San
Francisco Chronicle, Sept. 21, 1989, p. E5.
______. "Terminal’s Art Has Its Ups and Downs." San
Francisco Chronicle, July 27, 2000, pp. E1 & E5.
Balken, Debra Bricker. "Squeak Carnwath at LedisFlam." Art
in America, Feb. 1994, pp. 103–104.
Baumgardner, Jennifer. "Arts Watch, Squeak Carnwath: Lists, Observations,
and Counting." Ms Magazine, July/August
1996, p. 79
"Bay Area Drawings". San Jose Mercury
News, November 18, 2001.
Beeler, Monique. "Word lists, color, questions mark 'Still Happy'
show." The Argus, May 31, 2002,
p. 26.
Bell, J. Bowyer. "Squeak Carnwath at David Beitzel Gallery."
Review: The Critical State Of Visual Art In
New York, February 1, 1998, pp. 28-29.
Boettger, Suzaan. "From the Sunny Side: Six East Bay Artists."
Artforum, January 1983, pp. 82–
83.
______. "The Human Condition: Biennial III, San Francisco Museum
of Modern Art." Artforum, October
1984, pp. 96–97.
______. "The Impolite Figure." Artforum,
October 1983, p. 81.
Bonetti, David. "Art That Soars: Architecture Of SFO’s New International
Terminal ." San Francisco Examiner,
October 8, 2000, p. D-7.
______."Critic’s Picks: Art." San
Francisco Chronicle, May 25, 2001, p. C-1.
______. "Exhibitions focus on artists' visions of '70s." San
Francisco Examiner, September 16, 1994, pp. D8–D9.
______."Three S.F. Artists In Their Prime." San
Francisco Examiner, Oct. 29, 1998, pp. C-1- C6.
Bouras, Harry. "Carnwath at van Straaten Gallery." WFMT,
Chicago, October 17, 1986.
Bourbon, Matthew. "Squeak Carnwath at David Beitzel." New
York Arts Magazine, May, 2000, 2 black and white plates, p. 39.
Boxer, Sarah. "Cattle Are Standin’ Like Statues." The
New York Times, July 12, 2000,
p. B-1
Brenson, Michael. "How the Myths and Violence of the West Inspire
Its Artists." The New York Times,
June 15, 1986.
Breslin, Ramsay Bell. "Those Who Forgot Her Story." East
Bay Express, February 8, 1991, p. 30.
Brookman, Donna. "A Bay Area Diversity."
Artweek, October 15 , 1988.
Brown, Betty Ann. "Songs of the Bees." Artweek,
March 11, 1989, p. 5.
Brunson, Jamie. "Squeak Carnwath: Seeing in the Dark." ArtMuse,
Summer 1998, Vol. 3, Issue 4.
Brzezinski, Jamey. "Enigmatic Extremities: Squeak Carnwath at John
Berggruen Gallery." Artweek, September
26, 1991, p. 11.
Burkhart, Dorothy. "Feminine Statements." San
Jose Mercury News, October 14, 1988.
______. "Hot Wax, An Unusual Medium Proves Mostly Seductive."
San Jose Mercury News, March 6, 1992.
______. "Promising Futures." San
Jose Mercury News, July 17, 1988.
Burstein, Joanne. "From the Sunny Side: Six East Bay Artists."
Artweek, Oct. 23, 1982, p. 1.
Butterfield, David. "National Recognition for Alameda Artist."
Alameda Times-Star, November 10, 1990,
p. 3.
Camper, Fred. "On Exhibit: Art Chicago 2002's Free Thinkers."
Chicago Reader, May 10, 2002, Vol. 31,
No. 32, Section One, p. 34.
"Carnwath Exhibition." Ceramics Monthly,
February 1978, pp. 83–85.
Cash, Stephanie. "Report from San Francisco, Surviving and Thriving".
Art in America, November 2002, pp. 58-69.
"CCAC Graduates Have Forged Careers in the Arts." Creating
an Arts Career: California College of Arts & Crafts , 1984,
pp. 4–5.
Cebulski, Frank. "Ghosts, Textures and Sound." Artweek,
September 20, 1980, p. 3.
Cohn, Abby. "Bedford Gallery Goes for the Gold With the Illuminating
Show ‘Yellow’." San Francisco
Chronicle, February 18, 2000, black and white plate, cc 4.
______. "Celebrating The Spirit Of Yellow." San
Francisco Chronicle, March 24, 2000, pp. EB1 - 2.
Coleman, Sarah. "Squeak Carnwath: Through November 14, John Berggruen
Gallery." San Francisco Bay Guardian,
October 28, 1998, p. 101.
Collins, Tom. "Restorative, Life-Generating Power of Art Returns with Dwight Hackett Exhibit." Albuquerque Journal, April 15, 2005, pp. S1 & S8.
Cook, Katherine. "Language Into Image, The Painted Word at Richmond
Art Center." Artweek, September
6, 1990.
Cooke, Ronnie & Holly Pollard. "I Left My Art in San Francisco."
Details, April 1990, p. 151.
Corbett, William. "Squeak Carnwath: Off the Record." Artscope Magazine, November/December 2006, p. 16.
Cotter, Holland. "Art in Review: Squeak Carnwath at LedisFlam Gallery."
The New York Times, September 17, 1993,
p. C18.
"Current Holdings: Bay Area Drawings". San
Jose Magazine, December 2001, p. 61.
Curtis, Cathy. "Looking for Romance." Artweek,
March 3, 1984, pp. 5 - 6.
Cutajar, Mario. "Squeak Carnwath." ArtScene,
Vol. 12, No. 4, December 1992, p. 18.
da Silva, Analucia. "Squeak Carnwath and Viola Frey Have Contributed
To Oakland’s Art Tradition." The
Oakland Tribune, January 1, 2000, p. CUE-8.
Davis, Kathryn. "Art Beat." Journal Santa Fe, April 1, 2005, p. S5.
Degener, Patricia. "Exhibits at Three Galleries."
St. Louis Post-Dispatch, June 22, 1983, p. D7.
Diehl, Carol. "Squeak Carnwath at LedisFlam." ARTnews,
December 1993, pp. 133 - 132.
Dietsch, Deborah K. "Works With Words." Sun
Sentinel, South Florida, April 11, 1999, p. 3D.
Dryness, Christina. "The Lines Are Drawn." West
County Times, October 10, 1996, pp. 1-2F.
Eaton, Kate Regan. "Work/Live: They Work and Live Together."
Oakland Artscape, Fall/Winter 1992,
p. 5.
Edelman, Robert G. "Squeak Carnwath."
Art Press, November 1993, p. 85.
Engelfried, Sally. "Painter Squeak Carnwath Speaks up about Art,
Feminism, and Real Time." 510 Magazine,
Issue 3, December 1994, pp. 35–36.
Enholm, Molly. "The Miracle Mile."Art Ltd., January/February 2010, pp. S9 - S10.
"Exhibition Preview". THE—Santa
Fe's Monthly Magazine of the Arts, October 2002, vol. X, no. III,
p. 1 and 38.
Farr, Sheila. "A & E Briefs, 'Three State Artists Win $25,000
Grants'." Seattle Times, December
6, 2001.
Fischer, Jack. "Tracing Artists' Paths—Palo Alto Exhibit Reviews
50 Years of Bay Area Drawings". San Jose
Mercury News, December 2, 2001, p. 13e.
"Flintridge Foundation Awards for Visual Artists". Artweek,
April 2002, vol. 33, issue 3.
"Flintridge Foundation Names Award Winners". Artweek,
February 2002.
Fowler, Carol. "Some Objects Larger Than Life in Hearst Gallery Exhibition."
Contra Costa Times, March 26, 1984,
p. A11.
Frankel, David. "Squeak Carnwath at David Beitzel Gallery."
Artforum, October 1996, p.116.
Frankenstein, Alfred. "Serene and Mystic Art Works." San
Francisco Chronicle, November 17, 1978, p. 68.
Frock, Christian L. "Under the Radar: Squeak Carnwath." Art Ltd., May/June, 2009, p. 44.
Galeone, Lorenza. "New York." Juliet
Art Magazine, Issue #87, April/May, 1998, p.71.
"Galleries Downtown: Squeak Carnwath," The
New Yorker, n.s. (February 16, 1998), p. 21.
Garrison, Jayne. "When Slums Get Hip, Artists Move On—or Buy."
San Francisco Examiner, 1985.
Goodman, Jonathan. "Squeak Carnwath at David Beitzel." Art
in America, December 2000, p. 125.
Graves, Jen. "Puget Sound Artists Among Recipients of $25,000 Grants".
News Tribune, Tacoma, WA, December 9,
2001.
Green, Roger. "Dollars, Cowboys and Liberty at CAC." New
Orleans Times Picayune, November 14, 1986.
Gurewitsch, Matthew. "A New Wing for the Norton Museum".
The Wall Street Journal, Leisure & Arts, April 17, 2003, p.
D8.
Hall, Christopher. "Where 'Art' Has Met 'Craft' for 100 Years." The New York Times, November 11, 2007.
Hamlin, Jessie. "Art Uncorked." San
Francisco Chronicle, November 25, 2000, p. B1 and B8, colorplate
B1
______. "Connecting Art With People." San
Francisco Chronicle, Sept., 24, 1998, p. E1 and E4.
______. "Local art community offers up long, diverse wish list."San
Francisco Chronicle, Sunday Datebook, July 28, 2002, p. 44.
______. "Milking Art For All Its Worth." San
Francisco Chronicle, June 24, 2000, p. B1 and B4.
______. "The Art of Exposure, Collectors and novices rub elbows at
the San Francisco International Art Exposition." San
Francisco Chronicle, September 16, 2000, p. B1 and B10.
Heitz, Jenny. "A Woman's Place Is in the Studio." City
on a Hill, October 13, 1988.
Henry, Gerrit. "Squeak Carnwath at Shea & Beker." Art
in America, October 1990, pp. 211– 212.
Hirsch, Faye. "Working Proof: Reviews of Prints, Photographs, and
Multiples." On Paper, Vol. 2, No.
2, Nov-Dec 1997.
Hudelson, Mark. "Exploring Nature's Alchemy." The
Daily Aztec Weekly Arts & Entertainment, May 2–8, 1990.
Iannaccone, Carmine. Art Issues, January
1996, p. 43.
Johnson, Ken. "Knowing Children." The
New York Times, July 10, 1998.
Johnson, Mark M. "Western States Art." Arts
& Activities, November 1986.
Jordan, Jim. "Drawn to Richmond." East
Bay Express, July 10, 1987.
Kandel, Susan. "L.A. in Review, Squeak Carnwath."
Arts Magazine, Summer 1989, p. 104.
Keats, Jonathon. "Magic Marker." San Francissco Magazine, August 2009.
Ketcham, Diane. "Squeak's Free-wheeling Style."
Oakland Tribune, September 15, 1991, p. 11.
Kimball, Cathy. "Weaving Weft and Warp: Tapestries from Magnolia
Editions." Art Contemporaries, Summer
2004, Volume 1, Number 2, pp.16-17.
King, Sarah S. "Squeak Carnwath at David Beitzel." Art
in America, September 1998, p. 183.
Kirsch, Elisabeth. "The Stories Of Art -- Tales Continued."
The Kansas City Star, May 14, 1999,
p. 32.
Knaff, Devorah L. "Extraordinary Depictions of Ordinary Things."
The Press-Enterprise, November 6, 2000,
p. C-12.
Knight, Heather. "Palo Alto Art Center Takes Doodles Out of the Margins."
San Francisco Chronicle, November 16,2001.
Kuenstler, Emily. "Squeak Canwath at Paulson Press." Artweek, July/August 2005, Volume 36, Issue 6, p. 17.
Lee, Anthony W. "Squeak Carnwath." Art
of California, Spring 1991, pp. 50–54.
Lewis, Sydell. sbawca.org, March 23,
1999.
Levy, Mark. "Squeak Carnwath, Reclaiming Lost Territory." Artspace,
January/February 1990, pp. 35 - 39.
Liu, Timothy. "Squeak Carnwath at David Beitzel Gallery." New
Art Examiner, September 2000, p. 60.
Lord, Roberta. "Examining the Evidence." New
Times, February 27 - March 5, 1997, p. 20.
Loughery, John. "Bay Area Artists, Nancy Hoffman Gallery." Arts
Magazine, September 1987.
Lydon, Susan. "Intaglio Printing Creates Unique Works of Art."
Oakland Tribune, May 7, 2002, p. 2.
Magnolia Editions, "Works on Paper, 1981–1992." Magnolia
Editions, 1992.
Manoogian, Bridget. "Reconstructing Carnwath." Shift
X, 1990, pp. 16–18.
Matthews, Lydia. "Stories History Didn't Tell Us." Artweek,
February 14, 1991, pp. 15–16.
Maxwell, Douglas F. "Squeak Carnwath at David Beitzel Gallery."
Review: The Critical State Of Visual Art In
New York, February 1, 1998, pp. 27-28.
Mays, Jon. "ART-to-SFO." The Independent,
August 9, 2000, pp. 1A and 5A.
McCloud, John. "Not Boxed In." SF, The
Magazine of Design and Style, May 1991, pp. 100–105.
McCloud, Mac. "Patinae and Pentimenti: Paintings as Palimpsests in
Santa Monica." Visions Art Quarterly,
Spring 1991, p. 36.
McClure, Lissa. "Squeak Carnwath at David Beitzel."
Review, June 1996, p. 28
McDonald, Robert. "Five Young Artists' View of the Human Condition."
Los Angeles Times, February 22, 1986.
McGovern, Adam. "Summer Group Show: Prints & Works on Paper:
Shea & Beker." Cover, September
1990.
McGreevy, Linda. "Carnwath's Words Muddy the Waters." Portfolio
Magazine, February 1, 1994.
______. "Pressing Concerns: Women Artists Extend the Power of Contemporary
Printmaking." Ghent, January 1994.
McQuaid, Cate. "Minimalist touch makes the most of everyday materials." The Boston Globe, November 2, 2006, p. Style C9.
Miro, Marsha. "Artists' Paintings Share Childlike Vision." Detroit
Free Press, May 24, 1994.
Mochary, Alexandra. "Bay Area Art: Take Another Look." Antiques
& Fine Art, November 1987, pp. 71–75.
Morris, Barbara. "Story Painters: Writing New Chapters in Bay Area Narration." Artillery: San Francisco Now,
May/June 2010, Vol. 4 Issue 5, p. 28 - 30.
Moyle, Marilyn. "UCD Art Professors Show Their Work in Joint Exhibit."
The Davis Enterprise: Weekend, October
14, 1990.
Moyle, Peter B. and Marilyn A. "Fish Imagery in Art." Environmental
Biology of Fishes, Kluwer Academic Publishers, Netherlands, 1992.
Murdock, Robert M. "Squeak Carnwath at David Beitzel Gallery."
Review: The Critical State Of Visual Art In
New York, February 1, 1998, pp. 26-27.
Nadaner, Dan. "What Only Painting Can Do." Artweek,
January 25, 1986, p. 3.
Newhall, Edith. "Galleries." New
York Magazine, September 13, 1993, pp. 58, 60, 63.
"Nine UC Professors Win." The Oakland
Tribune, April 27, 1994, p. A11.
"Notes From the Coast, 'Grants Awarded to West Coast Artists'."
Southwest Art, March 2002.
Ollman, Leah. "Wonder of Life Bathes Carnwath's Canvases."
Los Angeles Times, May 1990.
Paul, James. "Other Side of the Bay." The
Washington Post, February 28, 1986.
Payton, Brenda. "Magnolia Editions of Oakland Gets to the Core of Art." Oakland Tribune, August 18, 2006, Metro pp. 1-2.
Peterson, Diane. "Artist’s early drawings offer insight."
The Press Democrat, July 26, 1998, p.
Q-8.
Pincus, Robert L. "Artist Masters Mix of Visual, Literary."
San Diego Union, May 1, 1990.
______. "The Brave and the Foolhardy Wade into Surrealism."
San Diego Union, February 27, 1986.
"Places to Be and Things to See." Ghent, January 1994, p. 32.
Preston, Jane. "Media at Walnut Creek." Artweek,
November 24, 1973, p. 5.
Pund III, Ernest E. "Young American IV Opens at Mandeville."
La Jolla Light, February 13, 1986.
Raynor, Vivien. "Four Bay Area Artists." The
New York Times, July 10, 1987.
Reiley, Laura. "Collective Unconscious—Palo Alto Art Center
opens 'Current Holdings: Bay Area Drawings/Bay Area Collections'."
Palo Alto Weekly, September 28, 2001.
"Retreat Poems: Poems & Not poems." Inquiring
Mind, Fall 2000, p. 27.
Richards, Sally. "Fiery Innovation at Triton Exhibit." The
Santa Clara American Weekly, October 13, 1988.
Roder, Sylvie. "Tales Old and New." Artweek,
June 4, 1983, p. 5.
Rose, Joan. "Sensuous Exhibits at Contemporary." The
Honolulu Advertiser, November 20, 1994, p. G10.
Roth, Charlene. "Squeak Carnwath at Sweeney Art Gallery." Artweek,
December 2000, Volume 31, Issue 12, pp. 19-20.
Rubin, Michael G. "2 Contrasting Artists Rising in Prominence."
St. Louis Globe-Democrat, June 25–26,
1983, p. F6.
Sandburg, Brenda. "The Art Collector." The Recorder, no. 114.
Sardar, Zahid. "A Lightness of Being: Artist, Squeak Carnwath, Commands
Light and Shade in Her Oakland Loft." San
Francisco Examiner, June 2, 1996, pp. 16 - 19.
______. "Flight Patterns: San Francisco’s International Terminal."
San Francisco Examiner, September 3,
2000, pp. 7 - 12.
Scarborough, James. "Squeak Carnwath at Hansen Fuller Goldeen Gallery."
Artweek, March 20, 1982.
Schlesinger, Ellen. "UC Davis Adds Pair of Artists to Its Faculty."
Sacramento Bee, November 3, 1984.
Schwager, Michael. "Phasing In a New Look at The di Rosa Preserve:
Art + Nature." Art Contemporaries, Summer
2004, Volume 1, Number 2, pp. 22-23.
Schwan, Gary. "California Artist’s Works Engender New Appreciation
Of Painted Word." The Palm Beach Post,
March 26, 1999, p. 36.
Shackelford, Penelope. "Making the Visible." The
Davis Enterprise/Winter Express, June 18, 1998.
Shere, Charles. "Born Innocent: Artist's Style Matures." Oakland
Tribune, January 21, 1986.
______. "A Handsome Showing in Various Media at S.F. galleries."
Oakland Tribune, September 30, 1980,
p. C9.
______. "Lot of Glitter, Little Gold at L.A. Art Fair." Oakland
Tribune,December 1, 1986.
______. "Painting Worth Looking At." Oakland
Tribune, October 10, 1982, p. H6.
______. "Richmond's B.A.D. Show Is Good." Oakland
Tribune, July 7, 1987.
"Show Does Well at Representing California." Anchorage
Daily News, September 22, 1985.
Smith, Roberta. "Squeak Carnwath at David Beitzel." The
New York Times, May 31, 1996, p. C22.
"Squeak Carnwath." San Francisco
Magazine, May 2001, p. 123.
"Squeak Carnwath Flintridge Foundation Award for Visual Artists Recipient".
Berkeleyan, January 23, 2002.
"Squeak Carnwath, Fuller Goldeen Gallery."
Artforum, June 1984, p. 98.
"Squeak Carnwath at Sweeney Art Gallery, Riverside." ArtNow,
November 2000, p. 8WC.
"Squeak Carnwath at van Straaten Gallery." Art
Now/New York Gallery Guide, February 1985.
"Squeak Speaks." Portfolio Magazine,
January, 18, 1994, p. 15.
Steinberg, Aaron. "Eye Candy, 'Kid Stuff'." Charlottesville's
News & Arts Weekly, January 30 – February 5, 2001, Vol.
13, No. 05, p. 26.
Sutcliffe, Leslie. "Ambitious intimacy, Drawings & Works on Paper
brings [sic] artists together in common purpose." New
Times San Luis Obispo, October 23-30, 2003, p. 23.
Swift, Harriet. "Making 'Her Story.'" Oakland
Tribune,1991.
Tamblyn, Christine. "Squeak Carnwath/John Berggruen." ARTnews,
December 1989, p. 174.
"The Galleries: Santa Monica." Los
Angeles Times, February 24, 1989.
Thompson, Keith. "A Story of Convergence: Altered States and Spiritual
Emergence." Noetic Sciences Review, 25th
Anniversary, Number 47, p. 38.
Thym, Jolene. "Artport Takes Off: SFO Clears The Way For More Artwork."
Oakland Tribune, December 15, 1999 pp.
CUE1 & CUE2.
______. "Arts Biographic: Squeak Carnwath." Oakland
Tribune, May 21, 1996, p. CUE2.
______. "Celebrating an Artistic Legacy." Oakland
Tribune, September 22, 1996, p. CUE1 & CUE7.
______. "Clay Traders."Oakland Tribune,
October 24, 1998 p. CUE1 & CUE5.
______. "Making a Spectacle." Oakland
Tribune, March 12, 1994, p. CUE1.
______. "You Can't Ignore Her Playful Works of Art."Oakland
Tribune, April 22, 1994, p. CUE-8.
Tindall, Blair. "The Art Of Flight." Contra
Costa Times, July 27, 2000, p. 1
Van Proyen, Mark. "Perceptions of Self & Native." Artweek,
January 30, 1988.
______. "Rampant Diversity, Something for Everyone is Thesis of Oakland's
Artists `90 Show." Artweek, December
18, 1990.
Van Proyen, Mark, & Phyllis Shafer. "Squeak Carnwath, Excerpts
from an Interview with Mark Van Proyen & Phyllis Shafer." Expose,
January/February 1984, pp. 10–14.
Welles, Edward O. "To Market, to Market, to Buy a Franz Kline."
San Jose Mercury News, March 29, 1987.
Wells, Susan Spano. "The Artwork Is Both Contemporary and Western."
The Phoenix, June 12, 1986.
"West Coast Artists Awarded $25,000 Grants". Crafts
Report, Wilmington, DE. February 2002.
Whittaker, Richard. "A Conversation with Squeak Carnwath." TSA
[The Secret Alameda], Issue #6, 1993, pp. 2–8.
______. "A Conversation with Squeak Carnwath." Works
+ Conversations Issue #1, March, 1998, pp. 18-25.
Winn, Steven. "Ramps and Ghosts." ARTnews,
January 1981, pp. 77–78.
Wojtas, Thomas. "Michigan: Squeak Carnwath at David Klein Gallery."
The New Art Examiner, April 1995.
Wolf, Theodore F. "Western Art."
The Christian Science Monitor, June 30, 1986.
"Women Printmakers' Works on View." The
Amarillo Daily News, September 23, 1991.
"Working Proof - Reviews of Prints, Photographs, and Multiples."
On Paper, November-December, 1997, Volume
2, Number 2, p.38.
"Works from the di Rosa Collection at The Oakland Museum." Gallery
Guide—International, November 1993, p. WC51.
Wright, Jeff. "Squeak Carnwath: Shea & Beker." Cover
Magazine, April 1990.
Yau, John. "In Conversation Squeak Carnwath with John Yau." The Brooklyn Rail, November 2006, pp. 48-50.
Young, Susan. "Artport, Enjoy an extended layover with SFO's various
displays." Oakland Tribune, December
17, 2000, p. Living 1, p. Living 4.