SQUEAK CARNWATH – PUBLICATIONS AND SCHOLARLY ACTIVITY 2003-2007

 

Solo Exhibitions (* indicates exhibition catalogue or brochure was published)

 

2007       Squeak Carnwath Short Stories, September 18 – October 20, Texas State University San Marcos, JCM Gallery, San Marcos, TX

               Squeak Carnwath, August 30 – November 2, University of California Berkeley, The Townsend Center, Berkeley, CA

               Squeak Carnwath A Matter of Record, August 1 – 26, Gail Severn Gallery, Ketchum, ID

 

2006       Squeak Carnwath What Goes Around, Mendenhall Sobieski Gallery, Pasadena, CA

               Squeak Carnwath, Muse Gallery, Jackson, WY

               Squeak Carnwath, Off the Record, Nielsen Gallery, Boston, MA

               Squeak Carnwath, b.sakata garo fine art, Sacramento, CA

 

2005       Squeak Carnwath Guilt Free Zone, Paulson Press, Berkeley, CA

               Squeak Carnwath Primary Research, James Harris Gallery, Seattle, WA

 

2004       Squeak Carnwath, Oakland Art Gallery, Oakland, CA

               Squeak Carnwath Being Human: Paintings & Prints, 1998 – 2004, Olin Art Gallery, Kenyon College, Gambier, OH*

 

2003       Squeak Carnwath: Paper Trail, John Berggruen Gallery, San Francisco, CA*     

 

Group Exhibitions (* indicates exhibition catalogue or brochure was published)

 

2007       The Missing Peace: Artists & the Dalai Lama, December 1 – March 16, 2008, Yerba  Buena Center for the Arts, San Francisco, CA*

               Women's Work Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his family foundation, October 27 – January 20, 2008, Hallie Ford Museum of Art at Willamette University, Salem, OR*

               SJMA Collects CCA: Works on Paper from the Permanent Collection, October 20 – February 3, 2008, San Jose Museum of Art, San Jose, CA

               Artists of Invention: A Century of CCA, October 13 – March 16, 2008, Oakland Museum of California, Oakland, CA

               Celebrating a Centennial: Contemporary Printmaking at CCA, September 29 – January 6, 2008, de Young Museum, San Francisco, CA*

Summer Invitational, June 23 – August 4, Nielsen Gallery, Boston, MA

               CCA[C]@di Rosa Preserve, May 26 – July 14, di Rosa Preserve, Napa, CA

               The Missing Peace: Artists Consider the Dalai Lama, March 9 – September 4, Rubin Museum of Art, New York, NY*

               Faculty Show, February 7 – 23, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA

               Parallel Visions, January 20 – February 24, Nielsen Gallery, Boston, MA

 

2006       Faculty Show, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA

               Tony Berlant, Squeak Carnwath, Chris Cox and Delos Van Earl, Gail Severn Gallery, Ketchum, ID

               Squeak Carnwath, Byron Cohen Gallery, Kansas City, MO

               The Missing Peace Project: Artists Consider the Dalai Lama, Fowler Museum, University of California Los Angeles, Los Angeles, CA*

               Painting as Object, Gail Severn Gallery, Ketchum, ID

               Limited Edition Intaglio Prints, Muse Gallery, Jackson, WY

               Summer, Nielsen Gallery, Boston, MA

               Summer Selections, John Berggruen Gallery, San Francisco, CA

 

2005       Magnolia Editions: Tapestries, JayJay, Sacramento, CA

               Paintings, John Berggruen Gallery, San Francisco, CA

               Artist/Teacher/Artist, Sonoma Valley Museum of Art, Sonoma, CA

               Faculty Show, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA

               Draw, Dwight Hackett Projects, Santa Fe, NM

               Squeak Carnwath, Mildred Howard, Catherine Wagner: New Works, di Rosa Preserve, Napa, CA

               Highlights New Acquisitions, John Berggruen Gallery, San Francisco, CA

               Tapestries By Contemporary Artists, The Judson Gallery, Los Angeles, CA

               Beyond the Pour: Pairing Art and Wine Label Design, San Francisco Museum of Craft and Design, San Francisco, CA*

               Majestic Tapestries of Magnolia Editions Woven Work by Contemporary Painters, Bedford Gallery, Dean Lesher Regional Center for the Arts, Walnut Creek, CA

               The Collection of Sheppard Pratt: Challenges and Triumphs Over Mental Illness and Addiction, Sheppard Pratt Hospital, Towson, MD

 

2004       Faculty Show, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA

               innocence found, DFN Gallery, New York, NY

               I Love Music, Creative Growth  Art Center, Oakland, CA

               Contemporary Tapestries, Edith Caldwell Gallery, Sausalito, CA

               Weaving Weft and Warp: Tapestries from Magnolia Editions, San Jose Institute of Contemporary Art, San Jose, CA

               Heritage Fine Arts Collaborative – 10th Anniversary Exhibition, Heritage Bank of Commerce, San Jose, CA

               WOODCUTS Experimental Workshop, Lobby Gallery, 455 Market Street, San Francisco, CA

               TEN, Byron C. Cohen Gallery for Contemporary Art, Kansas City, MO

               The True Artist is an Amazing Luminous Fountain, Selected Works from the di Rosa Preserve: Art & Nature, The Kreeger Museum, Washington, D.C.*

               Expansion, Winston Wachter Fine Art, Seattle, WA

               It's About Time: Celebrating 35 Years, The San Jose Museum of Art, San Jose, CA*

               Reading Meaning: Word and Symbol in the Art of Squeak Carnwath, Lesley Dill, Leslie Enders Lee and Anne Siems, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA*

               Magnolia Tapestry Project: John Nava, Squeak Carnwath, Guy Diehl, and Don & Era Farnsworth, Mendenhall-Sobieski Gallery, Pasadena, CA

 

2003       Winter/Spring 2003, Beitzel Fine Arts, New York, NY

               Sprung, University of California Berkeley, Department of Art Practice, Worth Ryder Gallery, Kroeber Hall, Berkeley, CA

               Rotation, The Johnson Gallery, The Metropolitan Museum of Art, New York, NY

               Rotations:  An Alternating Exhibition of 20th-21st Century Work, Winston Wachter Mayer Fine Art, New York, NY

               Drawings, Sears-Peyton Gallery, New York, NY

               A Way With Words, John Berggruen Gallery, San Francisco, CA

               CCAC Alumni Exhibition Series, Andrea Schwartz Gallery, San Francisco, CA

               Road Trip, Nathan Larramendy Gallery, Ojai, CA

               Grand Opening, Paulson Press Gallery, Berkeley, CA

               Drawings & Works On Paper: San Francisco/New York/Los Angeles, San Luis Obispo Art Center, San Luis Obispo, CA*

               Color Form & Figure, John Berggruen Gallery, San Francisco, CA

 

 

Advertisements

 

Elle DŽcor, April 2006, Vol. 17, No. 3, p. 23. For solo exhibition at Mendenhall Sobieski Gallery, Pasadena, CA, March 30 thru May 2, 2006.

Los Angeles Magazine, April 2006, p. 158. For solo exhibition at Mendenhall Sobieski Gallery, Pasadena, CA, March 30 thru May 2, 2006.

Cabinet: A Quarterly of Art and Culture, Spring 2006, Issue 21, pp. 114 and 115. For solo exhibition at Mendenhall Sobieski Gallery, Pasadena, CA, March 30 thru May 2, 2006.

Jackson Hole Magazine, Summer/Fall 2006, p.58. For solo exhibition at Muse Gallery, Jackson Hole, WY.

Art In America, October 2006, p. 20. For solo exhibition at Nielsen Gallery, Boston, MA, October 12 thru November 25, 2006.

 

Public Art Commissions

 

HEARTS in San Francisco, 2004

 

Published Essays

 

Carnwath, Squeak. ÒPainting is No Ordinary Object.Ó In Adelie Landis Bischoff, Salander-OÕReilly Galleries, LLC exhibition catalogue, New York, NY, 2006.

Carnwath, Squeak. ÒCuratorÕs Statement: The Handed-Down Artist.Ó In Veronica de Jesus, Cue Art Foundation exhibition catalogue, New York, NY, 2005.

 

Lectures And Residencies

 

2007       Printmaking and Creativity, Panel Discussion, de Young Museum, San Francisco, CA

               Public Conversation, Texas State University San Marcos, San Marcos, TX

               Public Conversation, Gail Severn Gallery, Ketchum, ID

               Interview by Duane Slick, RISD, Providence, RI

 

2006       Interview by Tom Wudl, Mendenhall Sobieski Gallery, Pasadena, CA

               Visiting Artist, Island Press, and Interview by Students, Washington University, St. Louis, MO

               Public Conversation, Nielsen Gallery, Boston, MA

 

2005       Artist/Teacher/Artist, Panel Discussion, Sonoma Valley Museum of Art, Sonoma, CA

               Public Lecture, di Rosa Preserve, Napa, CA

               A Conversation with Tandem Press Visiting Artist Squeak Carnwath, Chazen Museum of Art, University of Wisconsin, Madison, WI

 

2004       Visual Arts as Research, Panel Discussion, The Arts Research Center at UC Berkeley, CA

               Public Lecture, Scripps College, Claremont, CA

               Visiting Artist and Public Lecture, Kenyon College, Gambier, OH

               Public Lecture, Oakland Art Gallery, Oakland, CA

 

2003       Public Lecture, Microsoft Artist Lecture Series 2003, Microsoft Silicon Valley Campus, Mountain View, CA

               Artist-in-Residence and Public Lecture, Anderson Ranch, Aspen, CO

               Visiting Artist and Public Lecture, Washington University, St. Louis, MO

 

Published Images

 

2007       "Sorry World", 2004, tapestry, 80 x 80 in. "Lucky Star", 2004, tapestry, 68 x 79 in. "Star Mandala", 2006, tapestry, 75 x 100 in. "First Time Around", 2005, oil and alkyd on canvas over panel, 77 x 77 in. In Shambhala Sun, illustrating the article, "Toward a Worldwide Culture of Love" by Bell Hooks, July 2006, pp. 58 – 63

               Imagery Art for Wine, artwork used for wine bottle label on the 2004 Sangiovese Dry Creek Valley, Benziger Family Winery

 

2006       "Good Luck", 2003, color sugarlift aquatint, softground and hardground etching, 36 ½ x              35 in. In Health Facilities Management, vol. 19, no. 12, December 2006, p.18

 

2005       ÒEverydayÓ, 2004, tapestry, 81 x 82 in. On cover of Diablo Arts: Dean Lesher Regional Center for the Arts Magazine, April-June 2005

               ÒBest BorrowedÓ, 2005, oil and alkyd on canvas over panel, 70 x 70 in. In Elle DŽcor, no. 118, July/Aug 2005, p. 90

 

2004       ÒVisual WorldÓ (detail), 2003, oil and alkyd on canvas over panel, 50 x 40 in. On cover of Nob Hill Gazette, April 2004

               ÒMathÓ, 1989, oil and alkyd on canvas, 64 x 94 in. On cover of Steve SelvinÕs Biostatistics: How It Works. Upper Saddle River, NJ: Pearson Education, Inc., 2004. ISBN 0-13-04661

               ÒInner LifeÓ, 1989, oil, alkyd, and wax on canvas, 68 x 120 in. In The Spiritual Transformation Scientific Research Program of the Metanexus Institute on Religion and Science. Philadelphia, PA: Metanexus Institute, 2004, p. 20

               ÒWhat is RedÓ, 1994, oil and alkyd on canvas, 80 x 80 in. and ÒPrecious OceanÓ, 1995, oil and alkyd on canvas, 48 x 48 in. In The Penland Book of Handmade Books: Master Classes in Bookmaking Techniques. New York: Lark Books, 2004. p. 46. ISBN 1-57990-474-2.

 

Bibliography -- SELECTED BOOKS

 

Bullis, Douglas. 100 Artists of the West Coast. Atglen, Pennsylvania: Schiffer Publishing Ltd, 2003. Pp. 76-77.  ISBN 0-7643-1931-0.

 

Held Audette, Anna. "24-Hour Drawing," in Anna Held Audette , ed., 100 Creative Drawing Ideas.  Boston & London:  Shambhala, 2004. Pp. 102-103. ISBN 1-59030-105-6.

 

Landauer, Susan. Selections, The San Jose Museum of Art Permanent Collection. San Jose, California:  The San Jose Museum of Art, 2004.  Pp. 50-51.  ISBN 0-938175-33-5.

 

Nugent, Bob. Foreword by Donald Kuspit. Imagery Art for Wine. San Francisco: The Wine Appreciation Guild, 2006. Pp. 36-37.  ISBN 1-891267-92-2.

 

Rosenberg, Randy Jayne, et al. The Missing Peace Artists & the Dalai Lama. San Rafael, California: Earth Aware, 2006. Pp. 144-145, 164. ISBN 1-932771-92-1.

 

Whittaker, Richard. "Squeak Carnwath," in The Conversations Interviews with Sixteen Contemporary Artists. Whale and Star, 2007. Pp. 36-47. ISBN 978-0-9673608-8-1.

 

Bibliography -- CATALOGUES AND BROCHURES

 

Anderson Gallery of Graphic Art. Celebrating a Centennial: Contemporary Printmakers at CCA. Fine Arts Museums of San Francisco, de Young, 2007. 1 color plate, p. 3.

 

California College of the Arts. Artists of Invention A Century of CCA. San Francisco, CA, 2007. 1 color plate, p. 64. ISBN 978-0-97535-7.

 

di Rosa Preserve:  Art & Nature.  The True Artist is an Amazing Luminous Fountain, Selected Works from the di Rosa Preserve: Art & Nature. Essay by Jack Rasmussen. Napa, CA:  di Rosa Preserve:  Art & Nature, 2004. 1 color plate, p. 36.

 

Hallie Ford Museum of Art at Willamette University. Women's Work Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his family foundations. Essay by Robin Reisenfeld, 2007. 1 color plate p. 4.

 

Hearts in San Francisco. Hearts in San Francisco. Essay by Alyson Kuhn. San Francisco: Hearts of San Francisco, 2004. 1 color plate p. 51. ISBN: 0-9763989-0-7.

 

John Berggruen Gallery. Squeak Carnwath: Paper Trail. San Francisco: John Berggruen Gallery, 2003. 5 color plates.

 

Kenyon College Olin Art Gallery. Squeak Carnwath Being Human:  Paintings & Prints, 1998 – 2004. Essay by Dan Younger, Gambier, OH, 2004. 4 color plates.

 

 

Scripps College. Reading Meaning:  Word and Symbol in the Art of Squeak Carnwath, Lesley Dill, Leslie Enders Lee, and Anne Siems. Essay by Margaret Mathews-Berenson, Guest Curator, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA, 2004. 4 color plates, pp. 36-40.

 

Bibliography – SELECTED ARTICLES, ESSAYS, AND REVIEWS – JULY 1, 2003 to DEC. 31, 2007

 

Collins, Tom. "Restorative, Life-Generating Power of Art Returns With Dwight Hackett Exhibit." Albuquerque Journal, April 15, 2005, pp. S1 & S8.

 

Corbett, William. "Squeak Carnwath: Off the Record." Artscope Magazine, Nov./Dec. 2006, p. 16.

 

Crump Ray, Anne. "A Fresh Look: Four Bay Area Galleries Breathe New Life into Familiar Work". Marin, April/May 2005, p.100.

 

Davis, Kathryn. "Art Beat". Journal Santa Fe, April 1, 2005, p.S5.

 

Derwingson, Harriet. "A Legacy." Museletter, Sonoma Valley Museum of Art, Winter 2004-5, p.1.

 

Downs, David and Brady Kahn. "Guilt Free Zone." East Bay Express, July 6-12, 2005, p.33.

 

"Draw". THE—Santa Fe's Monthly Magazine of the Arts, April 2005, p. 32.

 

Edelstein, Wendy. "Bunnies, boring objects, and the guilt-free zone Squeak Carnwath celebrates symbols, colors, and the transformative power of art." Berkeleyan, November 1, 2007, p. 8.

 

"Faculty and Department News." Artletter, Fall 2006.

 

Farr, Sheila. " Bold paintings by Bay Area artist". Seattle Times, June 10, 2005.

 

Fischer, Jack. " All the Art News He Sees Fit to Print: Publisher Interviews Artists, Show Images – and Takes No Ads". San Jose Mercury News, January 25, 2004.

 

______. "Artistic Assets—Bank Accrues Interest as Gallery for 10 Years". San Jose Mercury News, September 14, 2004, pp. 1E & 3E.

 

Hall, Christopher. "Where 'Art' Has Met 'Craft' for 100 Years." The New York Times, November 11, 2007.

 

Hamlin, Jessie. ÒIt took years for dealer John Berggruen to lay his hands on Picasso sketches. His efforts have paid off in a new show.Ó San Francisco Chronicle, Datebook, March 17, 2004, p. E2 and E3.

 

Joselow, Gabe. "New Olin Gallery Show Is An Introspective Study." The Kenyon Collegian, November 18, 2004.

 

Kimball, Cathy. "Weaving Weft and Warp:  Tapestries from Magnolia Editions." Art Contemporaries, Summer 2004, Volume 1, Number 2, pp.16-17.

 

Kuenstler, Emily. "Squeak Carnwath at Paulson Press."  Artweek, July/August 2005, Volume 36, Issue 6, p. 17.

 

Magnolia Editions. "The Magnolia Tapestry Project: Making Headway in an Ancient Art Form" Magnolia Editions Newsletter, October 2003, pp. 1.

 

______. "Sorry World." Magnolia Editions Newsletter No. 5, Winter 04, pp. 1 & 3.

 

McQuaid, Cate. "Minimalist touch makes the most of everyday materials." The Boston Globe, November 2, 2006, p. Style C9.

 

"Museum Calendar." San Francisco Arts Monthly, October, 2003, p.12.

 

Payton, Brenda. "Magnolia Editions of Oakland Gets to the Core of Art." Oakland Tribune, August 18, 2006, Metro pp. 1-2.

 

"Previews." THE Magazine, April 2005, p.32.

 

Roth, Michael. "California College of the Arts at 100." San Francisco Chronicle, August 19, 2007, p. M-2.

 

Row, D. K. "In Praise of Bolder Women." The Oregonian, October 29, 2007.

 

Sardar, Zahid. "Squeak Carnwath The artist remakes an old Oakland warehouse into a home, a painting studio and a world of her own". Western Interiors and Design, July/August 2005, pp. 33-38.

 

Schwager, Michael. "Phasing In a New Look at The di Rosa Preserve:  Art + Nature." Art Contemporaries, Summer 2004, Volume 1, Number 2, pp. 22-23.

 

Shedd Fisher, Frances. "A Conversation with Squeak Carnwath." Nielson Gallery News, September 2006.

 

"Squeak Carnwath's New Prints Delight the Eye." Tandem Press Newsletter, Summer 2006, pp. 1-4.

 

Sutcliffe, Leslie.  "Ambitious intimacy, Drawings & Works on Paper brings [sic] artists together in common purpose." New Times San Luis Obispo, October 23-30, 2003, p. 23.

 

Yau, John. "In Conversation Squeak Carnwath with John Yau." The Brooklyn Rail, November 2006, pp. 48-50.